Here’s an update on some upcoming projects and life in general:
1. I received a promotion at work earlier this summer and have moved up from a “Park Guide” to a “Park Ranger” at Ulysses S. Grant National Historic Site. The promotion has been great so far. I’ve picked up more administrative duties but am now essentially the park’s education coordinator and historian. We’ve been doing some great programming initiatives over the past couple years and I’m excited to see where things go from here as I take on an increased leadership role at the park.
2. I was in Beaufort, South Carolina, a few weeks ago to visit Reconstruction Era National Monument and tour the area’s historic sites. I had served as the site’s social media manager from April 2017 to April 2018 (which you can read about here) in addition to my regular duties at the Grant site, but I had never been to South Carolina before. It was great to meet the staff at REER and get a better grasp of the local context in which Reconstruction played out within the South Carolina lowcountry.
3. I wrote an essay about Ulysses S. Grant’s Personal Memoirs and how they’ve shaped my interpretation of his life while working as a Park Ranger and educator. The essay will appear as a chapter in an upcoming book on the American Civil War in popular culture that is being edited by Chris Mackowski of Emerging Civil War and will be published by Southern Illinois University Press in early 2019. It will be the first essay of mine to show up in a book and I’m thrilled to see how the final product will turn out.
4. I have another book chapter that will be appearing in an upcoming anthology about St. Louis culture and history through Belt Publishing. This one is slated for release in Summer 2019. I went a little outside my usual research interests for this piece, which explores the Italian American community in St. Louis at the turn of the 20th Century and examines a case of race and class conflict within that community. There’s also a little family history in the essay; during research I did some genealogy and discovered that my Great-Great Grandfather Julio Sacco had immigrated to St. Louis from Sicily around 1890. He makes a short appearance in the essay. In any case, there’s an amazing lineup of essayists from St. Louis who’ve contributed essays to this anthology and if you’re interested in all things St. Louis you’ll want to get a copy of this book.
5. My journal article manuscript on Missouri Congressman John Richard Barret was slated for publication last year, but due to circumstances beyond my control the manuscript’s publication was delayed. Thankfully I can now say that the article will be published in the November 2018 issue of The Confluence, a scholarly journal published by my Alma mater, Lindenwood University.
6. I have another manuscript on Ulysses S. Grant’s relationship with slavery before the Civil War that has been accepted for publication by a top Civil War journal, but I have numerous revisions that still need to be made. More details on this article in the future.
7. My next essay for the Journal of the Civil War Era‘s “Muster” blog will go live on Tuesday the 18th. I’ll examine Alabama Congressman Charles Hays and his support for the Civil Rights Act of 1875.
8. I have a pretty substantial book review essay on Allen Guelzo’s Reconstruction: A Concise History that will be published with H-Net most likely within the next week.
9. I will be moderating a panel on Civil War politics in Illinois on October 5th for the Conference on Illinois History at the Abraham Lincoln Presidential Library and Museum.
10. I have two upcoming talks in St. Louis about U.S. Grant and slavery before the Civil War and the Missouri-Kansas Border War on October 13th and October 16th.
I fielded an interesting question the other day about Ulysses S. Grant and the people who influenced him throughout his life. The visitor asked me where and how General Grant developed the cool, calm, and steely demeanor that has long been a part of his popular lore. How was Grant able to handle the horrific bloodshed and danger of war in such a collected manner, never getting too high or too low about the state of affairs during his generalship and presidency?
It’s a fascinating, complex question with multiple answers that are suitable, but I think the visitor was surprised when I suggested that Hannah Simpson Grant may have played a role in her son’s overall disposition.
Hannah Grant went about her chores and responsibilities quietly, so much so that one must search carefully for her traces. [Ulysses Grant’s friend] Dan Ammen recalled that she was “a cheerful woman, always kind and gracious to children.” But affection–or at least open displays of it–were rare in the Grant household. Ulysses told Ammen that he never saw his mother cry. Nor did Hannah brag as was her husband’s custom: she was modest, retiring, and restrained. Unlike [Grant’s father] Jesse, she “thought nothing you could do would entitle you to praise,” as one observer recalled.” (7)
Insert “Ulysses” where “Hannah” is mentioned and the similarities are pretty clear.
…Happening this Thursday! When I visited the Abraham Lincoln Presidential Library & Museum as a high schooler just a few months after its grand opening in 2005, never in my wildest dreams could I have imagined that I’d ever give a presentation there someday. If you’re in the area, come on out for what will hopefully be an interesting and informative talk about Ulysses S. Grant’s life and how Americans have remembered him since his death in 1885. We’ll be on the library side of the Presidential Library and Museum.
Civic leaders in Glynn County, Georgia, are proposing a sculpture trail to commemorate that county’s history and promote tourism to the area. One of the sculptures being proposed highlights Neptune Small, an enslaved man on the Retreat Plantation. When the Civil War broke out Small’s enslaver, Henry King, brought Small with him to Confederate military lines. When King died on the battlefield, Small picked up King’s body and eventually brought it back home. The Sculptor, Kevin Pullen, explained that “What I tell people is it’s a love story. Because these two grew up together. They were love buds when they were little people. The whole slavery and Civil War piece was the backdrop for their lives. They lived on the same property, and they grew up in the same place.”
Historian James De Wolfe Perry pointed out that “As an enslaved person, [Small] had incentives other than loyalty or devotion” for returning King’s body. Kevin Levin of Civil War Memory added that “This is an interpretive weakness of the entire Lost Cause narrative that it makes little attempt to engage former slaves as to motivation and how they viewed their participation in the war.” He followed up with a blog post, commenting that “The basic outline of Pullen’s account accords with the available evidence, but to depict Small in his role as the loyal slave feeds into an insidious myth that has long been used to justify legal segregation, white supremacy, and the Lost Cause narrative of the war.”
I tend to agree with these sentiments. My initial response to this proposed sculpture is great discomfort. To me it seems to romanticize slavery and the master-slave relationship, which in Pullen’s telling of Small and King’s relationship is a “love story.” It also downplays the fact that the “loyal” Neptune Small and enslaved camp servants like him were not there voluntarily in service to the Confederate military, but due to impressment. In reality, we don’t know what Small’s motivations were for returning King’s body to Georgia. It is not a stretch to suggest, for example, that perhaps Small returned King to his old plantation in the hopes of gaining his freedom for this action. And as the article points out, the Kings did give Small an 8-acre tract of land for returning his enslaver’s body. The murky details of this story make me skeptical about the wisdom of commemorating it through a sculpture.
My latest essay for the Journal of the Civil War Era’s blog went live last week. I wrote about gift shops at Civil War historic sites and the urgent need for memory scholars to analyze the ways these spaces shape visitor experiences at historic sites. I’ve gotten a lot of positive feedback so far and I hope the essay will lead to a more sustained and substantial dialogue on how gift shops can better serve the mission of a given public history site.
I have a lot of other exciting writing projects and upcoming presentations going on at the moment and I’ll let you know about those initiatives in a future post. For now, enjoy the above essay and let me know what you think in the comments section.
Yesterday I had the distinct privilege of speaking to a number of gifted ninth grade students at a local private school about the Reconstruction era. I had only fifteen minutes to give my presentation, so I had to get to the point fast. Prior to the talk I decided that I’d try my best to create a coherent and accurate visualization of how I understand the era and its political significance. I focused on two themes: How the Union would be preserved, and who had the right to call themselves an American citizen during this time. It was hard, but I think I was pretty successful in my effort to be nuanced but not overwhelming. Below is the visualization. If you’re curious about the era or plan on teaching it to others, please feel free to click the image to view at full size, download, and share with others (with appropriate credits).