There have been a number of prominent Civil War historians who’ve stepped into the Confederate monument debate over the past month. A roundtable in Civil War Times offers some interesting commentaries from some of the heavy hitters, including William C. Davis, Gary Gallagher, and Lesley J. Gordon. Historian Caroline E. Janney also jumped into the discussion with an op-ed in the Washington Post. She argues that empty pedestals are “void of meaning all together” (a dubious claim that Kevin Levin questioned here) and that removing Confederate monuments erases and does a disservice to the past. American society needs Confederate monuments because “they force us to remember the worst parts of our history.”
To be sure, Janney is a wonderful historian whose work shows up in my own scholarship on the Indiana Grand Army of the Republic. But I think her perspective on the need to preserve all Confederate monuments regardless of context is mistaken. The assumption in this piece is that American society has forgotten (or runs the risk of forgetting) the history of the Civil War if these monuments are removed. This too is a dubious claim. Historians must be careful when they discuss a society’s “collective memory” of the past and think critically about whose voices they privilege as representing that collective when they propose to speak about it.
In the case of Confederate monuments, arguing that these icons “force us to remember the worst parts of our history” necessary requires us to ask: who in society has engaged in forgetting? Who needs a reminder about the Confederacy and the causes of the Civil War? What specifically do these monuments force us to remember about the past? Why have some people failed to remember the history of the Civil War despite the presence of these monuments for 100 years? What are we to do with monuments like the Liberty Place Monument in New Orleans that deliberately distort what happened in the past?
I thought about some of these questions during a recent visit to the Missouri History Museum to see a new exhibit on the history of the Civil Rights Movement in St. Louis. At one point in the exhibit there is a large board with three questions and a table with pens and sticky notes. Visitors are encouraged to answer these questions and place their sticky note on the wall:
I love these feedback walls in museum spaces, and I like the questions posed by the exhibit here. But that first question on the left–“Why has so much of St. Louis’s civil rights history been overlooked?”–contains an implicit bias when it assumes that the city’s residents have in fact overlooked this history. In reading a few comments it became evident that many responders questioned this assumption. Of all the times I’ve been to the Missouri History Museum, this exhibit was the first one in which a majority of museum-goers were African American. And the ones leaving comments strongly asserted that they hadn’t forgotten that history. We were there. We are still fighting for our rights. We can’t forget what happened to our loved ones. We can’t forget history that so explicitly speaks to the core challenge of our lives and experiences as African Americans in this country. These comments were perhaps the most educational aspect of the whole exhibit.
So it bears repeating: who in society has forgotten the history of the Confederacy and the causes, context, and consequences of its short existence? The answer might be uncomfortable for those bent on defending all Confederate monuments regardless of context.
To be clear: my position on this topic has been consistent in that I disagree with a one-size-fits-all approach for addressing Confederate or any other type of public iconography, and I think some icons will inevitably stay while others will go. Read recent essays I’ve written here and here for more of my thoughts on these discussions.
The National Council on Public History published an essay of mine about monument removals at National Statuary Hall on their History@Work blog earlier this week. Regular readers will see familiar arguments that I’ve been making about the role of historical iconography for quite a while on this blog, but in the essay I wanted to focus specifically on what I think is a great example of a dynamic, ever-changing commemorative landscape that has been modified quite often. By exploring changes at National Statuary Hall, I hope to complicate the idea that monument removal automatically constitutes “erasing history.” I also hope to demonstrate that Americans have been removing monuments ever since their country’s founding, and that such removals are actually a natural byproduct of a society’s changing values and evolving understanding of its history.
Please give the essay a read if you get the chance. Although I have written a lot on this particular topic, I believe this is probably the strongest, most definitive argument on where I stand on this issue. So far I’ve gotten largely positive feedback and even the popular historian and blogger John Fea featured it on his website.
I also owe a debt of gratitude to Christopher Graham and Nicholas K. Johnson for reading a draft of the essay before it went online. Thank you!
The local NPR station in St. Louis, St. Louis Public Radio, has jumped into the discussion about the city’s Confederate monument with a recent “Pro & Con” feature about the monument’s future. One of the people the station interviewed was William Stage, a writer and photographer who took the “Pro” position in support of keeping up the monument. He stated, in part, that “erasing history” is bad. “It’s all of our history and maybe it’s good that it’s there for both the people who are offended by it and the people who enjoy it because it gives us something to talk about. It could be a springboard for dialogue.”
The problem I see with this argument is that no historical organization in St. Louis has ever taken steps to lead that dialogue, nor is there anyone who’s indicated a willingness to do it in this heated political moment. What would that dialogue look like? What steps would be taken after the dialogue to promote unity and reconciliation in the community? What cultural organization would be willing to take on the long-term expense, time, and effort necessary to interpret this monument after the dialogue has finished? What if a majority of St. Louisians aren’t interested in a dialogue or a history lesson?
The only answer is I have right now is that I don’t know.
More than two years after former St. Louis Mayor Francis Slay announced that the time had come for a “reappraisal” of the Confederate Monument that sits in Forest Park in downtown St. Louis, current Mayor Lyda Krewson has announced that the monument will be coming down within three weeks. The last I had heard about the monument’s status was in December 2015 when Mayor Slay’s “St. Louis Confederate Monument Reappraisal Committee” was unable to find a cultural institution in the area willing to accept the monument and the Missouri Civil War Museum’s lone bid was deemed inadequate by the committee. The monument’s fate was not discussed much further in 2016 and it fell off my radar, but with New Orleans taking recent action to remove four Confederate/Reconstruction monuments and new protests boiling at the St. Louis Confederate monument, Mayor Krewson is taking steps to expedite the process.
As a native-born and current resident of St. Louis, I find myself still unsure what the best path forward for this monument is. The protests of the monument are becoming a political liability for the city government. Leaving the monument as is does not seem to be a practical situation moving forward, especially since I’d imagine that most of the city’s majority African American population is opposed to the monument. I have doubts about the effectiveness of writing a wayside marker to “add context” to the monument, although the current monument text is historically inaccurate Lost Cause nonsense that should be removed. I have also been disappointed with the lack of public discussion about the monument’s future, which is a great contrast to more democratic processes taking place in Baltimore, New Orleans, and numerous cities in Virginia on their Confederate monuments. To my knowledge there have been no votes taken by city residents or the Board of Alderman, no public meetings for local residents to share their perspectives, and no effort to educate the city’s residents on the monument’s history by any cultural institutions, including those of us at National Park Service sites in the area. Mayors Slay and Krewson have basically taken matters into their own hands, for better or worse.
As I have previously stated, local communities should be empowered to determine what sorts of public iconography they want to recognize and commemorate in their public spaces. The people and events these icons represent should be reflective of that community’s values and be considered something worthy of honor. If a majority in the community don’t consider that icon worthy of honor or reflective of their values, then there are sufficient grounds for the community to discuss that icon’s future, whether that be remaining in the same spot, being moved to a cultural institution like a museum for added context, removed and obliterated, or some other solution. I personally am fine with removing the monument from Forest Park and am tired of the argument that removing any public historical icon is “erasing history,” especially when the history being removed is inaccurate. My preference would be for a cultural institution in the city to take on the responsibility of interpreting this Confederate monument in a respectful way that educates residents about our city’s rich Civil War history. But for now it seems like we’ll be saying goodbye to the St. Louis Confederate Monument as it heads to a warehouse somewhere.
In my last post I excerpted a Letter to the Editor in the August 4th, 1860 edition of the proslavery Missouri Republican from “Slaveholder.” The letter explained why voting for Northern Democrat Stephen Douglas for President was the only way for both the Union and slavery to continue peacefully in the United States. It was a fascinating plea against secession as a form of protecting enslaved property, and it highlighted the thoughts of many proslavery Missourians as the country spiraled towards war less than a year later.
In that very same issue of the Missouri Republican–on the front page, no less–the paper posted a comprehensive of listing of auctions and items for sale in St. Louis. And if you look closely enough, you’ll see a listing about a runaway slave and a couple listings from Bernard M. Lynch, the city’s most prosperous slave trader. One of those ads is for an enslaved boy “between ten and twelve years of age,” conveniently placed right next to ads for furnaces, steam engines, and other pieces of property.
I’ve been reading Historian Jelani Cobb’s essay on the four New Orleans Confederate monuments that have either come down or are slated to come down soon. I think we have to be careful about who we generalize as opposing the removal of these monuments and why they do so, but he makes the point that many protestors–some of which are making death threats against the city’s Mayor and/or using racist language and Confederate flags to intimidate the city’s African American population–are enamored with a glorified “a-la-carte relationship with history”:
the protesters who lined up to defend the monument wish to maintain an à-la-carte relationship with history. They have cloaked their defense of the monuments by presenting it as a recognition of the valor of the men who fought for the Confederate cause. But that excuse falls flat when recognizing, for instance, that there is no monument in New Orleans to the mass slave revolt that took place in 1811, when some two hundred men who had endured the brutality of bondage marched on the city, killing two white men and burning plantations as they went. This is not the version of valor recognized by the crowd before the Lee memorial, or those phoning in death threats to Landrieu’s office.
I feel like we have a tendency in the United States to glorify and valorize the nation’s soldiers, past and present, without assessing why they went to war in the first place. The exceptions to that theory are probably the Revolutionary War and World War II.
As long as we commemorate the Confederacy’s legacy purely in terms of its soldiers’ military service and frame the erection of Confederate monuments as an apolitical extension of that commemoration and nothing else, we will downplay the politics of why the Civil War occurred in the first place. And we will minimize the stories, experiences, and legacy of thousands of ten-year-old enslaved boys and girls who were sold out of slave pens in the Land of the Free while Lee and Beauregard marched to Dixie.
Back in August Kevin Levin of Civil War Memory wrote a short blog post about the Missouri Division of the Sons of Confederate Veterans. He mentioned that the MO SCV paid to have two billboards put up–one “near Kansas City” and one “outside St. Louis”–with three men posing in Civil War outfits, a Confederate flag in the background, a listing of the organization’s website, and a very strange question: “75,000 Confederates of Color?” I read Kevin’s post and subsequent comments while having a good laugh but didn’t think much about it after that.
Well, I just happened to have found the billboard “outside St. Louis” yesterday while driving on Interstate 70. It is located in High Hill, a tiny town of 200 people about an hour west of St. Louis, and can be seen when going eastbound towards St. Louis.
In recent years there has been a push within some quarters of the Civil War history world to suggest that there were thousands–if not tens of thousands–of African American men who voluntarily chose to serve in the Confederate military during the war. I’ve chosen to stay out of this particular conversation because I think Levin and a number of other Civil War bloggers have done a fine job of covering the topic. Kevin’s also got a forthcoming book on the myth of Black Confederates that I look forward to reading when it comes out. But what I do know is that historians generally acknowledge that a small number of blacks may have served in the Confederate military following the Confederate Congress’s passing of General Order No. 14 on March 13, 1865, a month before General Lee’s surrender at Appomattox. The act gave President Jefferson Davis the authority to “ask for and accept from the owners of slaves, the services of such number of able-bodied negro men . . . to perform military service.” But the idea that tens of thousands of African Americans slaves, much less 75,000 of them, voluntarily chose to fight for the Confederacy is simply wrong and without evidence. Suffice to say it would have been literally impossible for most enslaved African American males to voluntarily choose to fight for a government dedicated to their continued enslavement.
There are many reasons to explain the rise of this phenomenon. One is a simple misreading of so-called “Black Confederate Pensions” that some former camp servants received after the war. Since the United States government did not award pensions to former Confederate veterans in the years after the war, former Confederate states took it upon themselves to establish a pension system for former soldiers. But some of these pensions dollars also went to former black camp servants who could prove that they had rendered some sort of service for the Confederacy, be that building earthworks, cooking and cleaning, or attending to the needs of a white enlisted soldier. These pension records are sometimes misinterpreted to suggest that Black men were enlisted in the Confederate military and treated as soldiers at the time when in fact they were not. For example, our old friend George Purvis once attempted to argue on this blog that he could find “10,000 names and numbers [phone numbers???] of Negroes” based on his own misreading of these pension records, and, in an odd extension of this argument, suggested that it was actually black soldiers in the United States military who were forced to serve! In other situations I suppose the black Confederate argument emerges as a way of arguing that the war had nothing to do with slavery or, as seems to be the case of the Missouri SCV, to promote a preferred narrative of the war and boost membership in and awareness of the organization.
If the motivation of the SCV in raising these billboards is to promote awareness and support of the organization, why does the statement “75,000 Confederates of Color” end with a question mark? While High Hill gets tens of thousands of drivers on a daily basis driving through on Interstate 70, why is the sign located there and not closer to the St. Louis regional area, where upwards of three million people live and commute daily? And while we know that numerous Indian tribes and a smattering of other racial groups in small numbers supported the Confederacy during the war, how does the Missouri SCV come to conclude that the correct number of people of color who served in the Confederate military is 75,000? Why not 10,000, 100,000, or four million? Where is the evidence for this claim?
But, you may say, herein lies the power of effective advertising! The billboard is provocative and challenges you to learn more by visiting the MOSCV.ORG website, where you can find the answer to this question. Fair point.
Well, I did just that today, and in the course of researching every nook and cranny of this website I can pass along to you that there is not a single resource on it to substantiate the claim that there were 75,000 “Confederates of Color” in the Confederate military during the Civil War. The lone piece of evidence the Missouri SCV offers is a 1903 newspaper article from the Confederate Veteran about one “Uncle” George McDonald, who is identified as “a colored Confederate veteran” but whose military assignment and regimental unit go unmentioned. There are no other primary source documents or references to reliable historical scholarship on the topic of “Confederates of Color” listed anywhere on the site.
Since there wasn’t much else on the Missouri SCV’s website about this topic, I opened up the most recent newsletter to see if there was any mention of the billboards there. Nope. There was news about recent Confederate flag rallies throughout the state, including one in the St. Louis area that I didn’t realize was organized by the Missouri SCV when I wrote this blog post about it last year. And there was a rather interesting editorial that included the following commentary:
As I am sure ya’ll are aware, our heritage is under attack from every angle imaginable. Our enemy our opportunists and they do not rest; NOR SHOULD WE. Even within our borders of our sovereign MISSOURAH, the flags of our ancestors have been removed from the sacred grounds of their final resting places and monuments to their memory are moved or relocated. The very sight or mention of anything Confederate sends college students scurrying for their “safe zones.” In St. Louis, the politically correct liberal bastion of insanity, the Confederate Memorial at Forest Park has been deemed unfit for common public view by the historically incompetent Mayor Francis Slay of St. Louis. Mayor Slay wants the memorial out of Forest Park. His actions are tantamount to what ISIS is doing worldwide as they spread their version of hate.
Is this approach really the best one for making your point and convincing others of your arguments? To be sure, I’m not interested in making blanket generalizations about the views and opinions of the Missouri SCV as a whole, but we learn a few things about the editors of their publications in this commentary. Obviously there is a tinge of contemporary politics underlying the SCV, particularly the belief that liberals can’t handle dissenting opinions (although this screed makes you wonder if these newsletter editors can handle dissenting opinions without going off the rails) and that places that lean liberal are bastions of “insanity.” Most interesting is the implied proclamation (to me at least) that a true Missourian supports Confederate heritage and proudly calls this state “Missourah” while the city of St. Louis is some sort of otherized foreign entity whose residents don’t represent that values of the state as a whole. What’s equally odd about all of this is how the SCV boldly proclaims on its homepage that it has taken steps to “[educate] the public about the ethnic diversity that existed in the Confederate ranks,” yet these newsletter editors have no qualms saying such nasty things about St. Louis, a place where, you know, many PEOPLE OF COLOR live.
(Also, just to clarify, Mayor Slay did not call for the Confederate Memorial at Forest Park to be removed, only that it was “time for a reappraisal” and a broader conversation within the St. Louis community about the merits of the monument remaining in Forest Park. Mayor Slay’s committee looked into finding an institution willing to take the monument without success and it remains in Forest Park today).
It’s never a dull day here in Missouri.
I have just returned from the National Council on Public History’s 2016 Annual Meeting in Baltimore, Maryland. I had a really great experience overall. It included attending many thought-provoking sessions and working groups, contributing a small part to my own successful (I think) working group panel, mentoring a graduate student about to enter the field, receiving news that I will now be co-chairing the NCPH Professional Development Committee for the next year and, above all, time to reconnect with old friends and make new ones in the process. I have attended the past three NCPH meetings and can say that participating in this network of scholars and practitioners has a sort of familial quality to it. No other history organization has made me feel so welcome or given me so many opportunities to present my scholarship to a knowledgeable and expanding membership base.
The theme of this year’s conference was “Challenging the Exclusive Past.” In thinking about the big themes conveyed throughout the meeting my thoughts are evolving around two important takeaways.
The first takeaway reinforces the importance of being a literate public historian. What I mean by this statement is that we in the field must enter into a perpetual struggle to properly define the terms we use to describe the work we do and the terms we use to describe the historical content we interpret with our many publics. What does it really mean to “engage” with an audience? What does a “welcoming” and “inclusive” museum look like? What does a successful “dialogue” with audiences look like? How do we define “community,” and how do we serve the needs of those defined communities while acknowledging that no one community has a uniform relationship with the legacy and meaning of the past? How do we describe historically-ignored topics like slavery, Indian removal, and racial violence with language that is historically accurate and respectful to communities today? These are the types of questions that dominated my thinking as I went from session to session during the conference.
The second takeaway is that this conference was in many ways an extended meditation on the meaning of “public” in the term public history. Most notably I met several attendees who described themselves as community organizers in their work as public historians. Collaboration has always been a central tenet of public history practice, but this particular conception of the term as a form of community building and public service forces us to view collaboration as not just groups of historians working together on history projects for their own benefit but groups of historians working together with communities to meet their needs and to help tell their stories about the past. This idea is important to keep in mind because our collective voice as historians and scholars is only one voice (and often a pretty small one) within a community’s relationship to the past. One conference attendee explained it by saying that “a historian’s voice is not everyone’s voice.”
People will blog, participate in online discussion forums, share history-related memes on social media, and create history podcasts whether or not public historians are there to mediate the experience. People will visit museums and national parks in their own way and form their own takeaways about historical iconography whether or not public historians are there to write historical markers or do interpretive programs. People who don’t visit public history sites will find other ways to preserve and tell their stories and will do so without worrying about our perspective or influence as historians. The ability to shape powerful historical narratives about the past rests largely in other places besides the institutional structures that public historians are employed to do their work. If we construct a definition of public history that excludes the importance of community from its lexicon, we will fail. If we engage in discussions about interpretation, narrative, and the historical process through a language of exclusion that includes only public historians, we will fail. If the people who work at public history institutions don’t look like or reflect the values of the communities in which they work, we will fail. If we don’t take the “public” in public history seriously, we will fail. If we don’t constantly strive to meet people and communities where they are, we will fail. Perhaps the real theme of NCPH 2016 isn’t so much “Challenging the Exclusive Past” as much as “Challenging the Exclusive Public Historian.”
There is no one path for meeting people where they are. I saw a number of good practical examples at play in the sessions I attended. One session included Liz Covart, whose popular history podcast Ben Franklin’s World does a really nice job of highlighting not just historical content but also the ways history functions as a method and process for making sense of the world. Another session on museums and civic discourse included a number of museum professionals who challenged me to think more about the historical legacy of exclusion that has pervaded many public history institutions. Revamping historical interpretations to be more inclusive will not automatically bring new audiences to these sites if we don’t extend an extra hand for outreach or place them in a position of power within the institution’s hierarchy. The history of these institutions matters a great deal and shapes perceptions about whether or not these places are truly for everyone. Yet another session on the Brooklyn Public Library highlighted a program called “Culture in Transit” that aims to digitize and archive the family photos and memorabilia of local residents. Library employees go out into the community with mobile scanning technology, scan residents’ materials and assist them with filling out metadata/consent forms in multiple languages, and then return the materials to residents along with digital copies on flash drives. When I talked to one of the library’s employees about any follow-up interactions with these residents after the community scanning event, she stated that many people felt more connected to the library and came back to do further research using its resources. That right there is public history with a focus on community building and organizing.
For better or worse, discussions about all of these sessions on and offline have been overwhelmed by what happened at the last session of the conference, which focused on the role of public historians in interpreting Confederate monuments. The tone of this discussion was a marked contrast to the spirit of the rest of the conference. I don’t wish to repeat everything that occurred during the session in this essay. You can see the tweets here and a Storify here on what happened along with a thoughtful response from Kevin Levin here. I do want to point out a few things, however.
One of the problems of this session was that it was largely framed around questions of race and racism in contemporary society, yet the participants were four white historians who really had nothing new to say about communities’ relationship to Confederate iconography (the exception was Jill Ogline Titus, whose talk was largely based off this good article she wrote in July). One attendee astutely pointed out that it was the only session where some participants talked about books they wrote and bragged about institutional affiliations they held as a way of claiming authority on this topic. There was much talk of establishing context, historical markers, counter-monuments, and dialogue about Confederate iconography, but nothing in terms of public historians meeting people where they are in this discussion. The only people I see really taking historical markers and counter-monuments seriously are public historians, and I have yet to see any sort of comprehensive study confirming those mediums as effective tools for historical understanding. As Levin mentioned on Twitter, “what I want to better understand is how I can best serve communities struggling with what to do with Confederate iconography” (emphasis mine). Hear hear. I am struggling with what I can do to aid the St. Louis community’s own discussion about the Forest Park Confederate Monument and would love to move beyond the “historians talking to other historians” model that has been demonstrated at both NCPH and AHA conferences this year. In this regard I want to draw attention to the work of Elizabeth Catte and Josh Howard, both recent public history graduates of Middle Tennessee State University, who have been working on the front lines at MTSU in an ongoing controversy about a campus ROTC building named after Nathan Bedford Forrest.
I had a great time at NCPH this year and look forward to next year’s meeting in Indianapolis. Thank you to the NCPH staff and committees for putting together such a great conference year in and year out.